Louis , New Orleans , Houston , and Toronto. Discuss August Origins Hip hop as music and culture formed during the s in New York City from the multicultural exchange between African-American youth from the United States and young immigrants and children of immigrants from countries in the Caribbean. It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the locals patois. MCs would also tell jokes and use their energetic language and enthusiasm to rev up the crowd. The Jamaican DJ dance music was deeply rooted in the sound system tradition that made music available to poor people in a very poor country where live music was only played in clubs and hotels patronized by the middle and upper classes. As well, the art of Jamaican toasting , a style of talking or chanting into a microphone, often in a boastful style, while beats play over a sound system , was an important influence on the development of hip hop music. Often nicknamed the "", it was produced from to
They were also finding other D. Their styles differed from other hip hop musicians who focused on rapid-fire rhymes and more complex rhythmic schemes. By the late s, the culture had gained media attention, with Billboard magazine printing an article titled "B Beats Bombarding Bronx", commenting on the local phenomenon and mentioning influential figures such as Kool Herc. This genre was called "disco rap". Early examples of the diversification process can be heard in tracks such as Grandmaster Flash's " The Adventures of Grandmaster Flash on the Wheels of Steel " , a single consisting entirely of sampled tracks  as well as Afrika Bambaataa 's " Planet Rock " , and Warp 9 's " Nunk ,"  which signified the fusion of hip hop music with electro. It spread across the world in the s with controversial "gangsta" rap. Due to the positive reception, DJs began isolating the percussive breaks of popular songs. Hip hop prior to this shift is characterized as old-school hip hop. Later, the MCs grew more varied in their vocal and rhythmic delivery, incorporating brief rhymes, often with a sexual or scatological theme, in an effort to differentiate themselves and to entertain the audience. J's emulated the southern 'mushmouth' and jive talk, letting their audience think they too were African-American, playing the blues and Be-Bop. It was by this method that Jive talk, rapping and rhyming was transposed to the island and locally the style was transformed by 'Jamaican lyricism', or the locals patois. Rappers may write, memorize, or improvise their lyrics and perform their works a cappella or to a beat. The earliest hip hop music was performed live, at house parties and block party events, and it was not recorded. MCs would also tell jokes and use their energetic language and enthusiasm to rev up the crowd. The MC would introduce the DJ and try to pump up the audience. Often nicknamed the "", it was produced from to Drum-machines and samplers were combined in machines that came to be known as MPC 's or ' Music Production Centers ', early examples of which would include the Linn The disco sound had a strong influence on early hip hop music. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically". Herc's experiments with making music with record players became what we now know as breaking or " scratching ". By hip hop music had become a mainstream genre. By the early s, all the major elements and techniques of the hip hop genre were in place, and by , the electronic electro sound had become the trend on the street and in dance clubs. J's at the station. Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered at first without accompaniment and later done over a beat. As a result, the hip hop genre, barely known outside of the Bronx at the time, grew at an astounding rate from onward.
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