Army had seized it? The giant glass tubes atop the specimen stage are apparently visualized with mattes and foreground miniatures. The playgirl finds Werner Wolk's brilliance and clarity of mission irresistible. Wells plans to grow rich by flooding the world with his artificially produced gold, a strategy that will have to be explained to me. Those penciled eyebrows remind us that she had become the Marlene Dietrich that didn't go to Hollywood. Split between his need for revenge and a desire to prove the dead Achenbach's theories, Holk goes through with the experiment. This 'England plays dirty' theme mirrors Germany's bitterness toward England for at least the better part of a century of colonial, naval and financial competition. I have a feeling - just idle speculation -- that it might have been obtained in a special deal made through government connections.
We've seen his ruthless agents wreck Achenbach's original, modest experiment. Holk barely survives, thanks to a blood transfusion from his faithful girlfriend Margit Moller Lien Deyers. Werner allows himself to be taken to a fabulous yacht and from there to a Scottish castle, where, hundreds of feet under the ocean, Wills has constructed his own, far larger atom smasher with plans stolen from Achenbach. Gold begins by repeating the 'big money hostile takeover of science' theme from Fritz Lang 's Frau im mond: I have a feeling - just idle speculation -- that it might have been obtained in a special deal made through government connections. Off the top of my head I can't think of any technical apparatus quite so elaborate and solid-looking built for a film until the s and Ken Adam 's outlandish settings for UA's James Bond films. Lien Dyers is as wholesome here as she was wantonly sexualized six years earlier in Fritz Lang 's Spies. Although she did have offers, Helm wanted to stay in Germany. The avaricious John Wills makes big financial decisions all day long. Versailles and WW1 aren't mentioned, but that had to be on the minds of the audience as well: Since the image looks much better on The Magnetic Monster , Ivan Tors might even have cut up Gold 's only existing printing element to make his movie. The Nazification of the film industry and the appalling political climate motivated her to leave for Switzerland in , abandoning her career. In his book Film in the Third Reich David Stewart Hull explains that when the occupation forces reviewed the recovered German films, they ordered this one destroyed. If scarcity raises the value of the element, making more should do the opposite. Thirty years later, the surprisingly sophisticated scheme of Auric Goldfinger is to increase the value of his stash of gold bullion by rendering America's gold reserves radioactive, and therefore worthless. So how could Ivan Tors have bought the footage from Ufa, if the U. Although mostly in for decoration, Brigitte Helm is a sophisticated dazzler. After finally seeing Gold , one more thing impresses me besides the grandiose special effects. Thankfully, videodisc companies catering to collectors make possible the sale of titles that might never show up on some authorized streaming service. It's sort of a 'brain-drain' movie. The actors sell the conflict well. When agents for the fabulously wealthy Englishman John Wills Michael Bohnen contact Holk, he realizes that the experiment was sabotaged. The French version starred Brigitte Helm in the same role, but star Hans Albers reportedly rebelled at making two movies for the price of one. The special effects for this sequence are sensational. The one man in Scotland that Holk knows he can trust is the captain of Wills' yacht, a fellow German. But the camera pans and trucks all over the hangar-sized set; it all looks real, with bolts of electricity flashing like crazy.
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