Though, to confuse matters, Richard Linklater's day-and-night-in-the-life teen comedy is actually set in at the end of summer term in Austin, Texas, where high-school students are forced to improvise a night of drunken abandon after their party plans are thwarted. But Rumble Fish's style is more than mere pastiche. On its release, much was made of its pro-life overtones, but in reality Juno's situation is something of a macguffin, a premise that allows a smart, savvy year-old to look at the world and its future. Cher is best friends with Dionne Stacey Dash , but kind of snappy with her annoying ex-stepsibling Josh, whose mum was once married to Cher's ferocious lawyer dad Mel, played by Dan Hedaya. She plays Cher, the spoilt but basically good-hearted LA princess: Rather than terminate it, Juno decides to offer the child for adoption, settling on the Lorings Jason Bateman and Jennifer Garner , a cool-seeming couple who seem to be on her wavelength — he especially, sharing her love of indie rock and horror movies although her tastes are pretty precocious even by modern standards. And John Cryer's Duckie is that strangest of male characters — the lovable, clownish nice guy who doesn't get the girl, even though he's better company, and better dressed. Has any teen movie had a better one?
Much of the humour arises from the inexperienced heroes' chauvinistic assessments of sex. What we respond to in 10 Things are the visual and verbal high-jinks, the jaunty pace and the charismatic performances: For Editorial Use Only. Tai is very well played by Brittany Murphy. The Heathers of the title are the film's in-crowd, three girls of wealth and taste who have cast their discerning eye at Veronica Winona Ryder , who, as the film begins, is starting to tire of them. Share via Email No Merchandising. But there's nothing particularly sensationalist about the way Kids tracked these teen lives. This movie was a rebuke to all that, a clever and good-natured tribute to Jane Austen's Emma with nods to Shakespeare and Wilde. Others try and fail, like the pitiful Mr Edwards whose prized 78s are smashed by his class in a symbolic and still upsetting act of rebellion, but hope exists in the form of African-American Gregory Miller, who finally responds to Dadier's patrician authority. All in all, testament to a job done a little too well. From the thrilling soundtrack to a before-they-were-famous supporting cast Matthew McConaughey, Ben Affleck , Parker Posey, Milla Jovovich to Linklater's unmistakable compassion for his characters, everything clicks. Coppola took pains to create a hermetic world all of its own: The arrival of bad boy JD Christian Slater, channelling Jack Nicholson offers Veronica the chance she need to break out of this constricting caste, and the two become a kind of situationist Bonny and Clyde. Not that many wisecracks either, come to think of it. In London, Brooks's film attracted crowds of Teddy Boys, who slashed cinema seats, danced in the aisles and actually started a riot. The title change is significant: This sets in motion a scheme hatched by the younger sibling's suitors whereby a cool loner, Patrick Heath Ledger , is paid to charm the uncharmable Kat. It's an age-old story — poor Cinderella meets rich Prince Charming, and they angst over each other all the way up to the climactic ball, sorry, prom — but the full spectrum of adolescent anxiety is here: On its release, much was made of its pro-life overtones, but in reality Juno's situation is something of a macguffin, a premise that allows a smart, savvy year-old to look at the world and its future. Alamy Being a year-old boy in France of the early Seventies was a heck of a ride: But it took Marlon Brando straddling a 6T Triumph Thunderbird to give teen rebelliousness its first icon. This is where the drippy Fogell comes in: The cast hasn't done badly either, packed as it is with still-familiar faces: The movie is worth watching for the costume changes alone, particular Ringwald's boss, Annie Potts, who flits daily from fetish-punk to s beehive, Madonna-esque material girl to Debbie Harry New Wave. With its melancholy undertones and hour time-frame, the movie occupies similar ground to American Graffiti and Dazed and Confused, but is distinguished by a post-Porky's sensibility that simultaneously satirises and celebrates pre-PC smuttiness. Linklater, working with Universal after his indie debut Slacker, had to overcome untold obstacles placed in his path by the studio; these were detailed in a brilliantly indiscreet diary published in the Austin Chronicle. Best of all, this is a period comedy which thumbs its nose at nostalgia.
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